![]() ![]() The instrumentation is equally, if not more upbeat than the previous track, and further develops the hopefulness within the EP while holding onto the danceability of your typical KKB arrangement.Ĭivilisation II’s closing track, “Well Rested,” is a large departure from the prior songs on the EP. Avoiding any sort of on-the-nose references to the pandemic, KKB instead states, “I hear a song riding the breeze/ Happy Birthday to Eloise/ Then mom and dad both let out a cheer/ They’re gonna throw a party another year,” the clever lines capturing the essence of a pandemic birthday. Reminiscing on a sunny walk in April, KKB writes an idealized anecdote of the early, “lazy” days of COVID-19, filled with closed shops, calls to friends and reruns of TV shows. While the opening track serves as a metaphor for the pandemic, the EP’s second track, “21/04/20,” is a literal recollection of a spring day in early quarantine. By the end of the song, though, the once-sequestered princess grows a pair of wings and escapes her tower, as her subjects watch her fly away with a feather hanging in the air outside her window. ![]() Backing the storybook narrative is a playful combination of slap-bass synths, shiny bells and a fast-paced drum machine, creating an atmosphere of hope behind the somewhat depressing story. Bonito sings, “As the nights ran together blurring into years/ Her brushstrokes never disappeared,” perfectly capturing the feeling of days blurring together, a shared experience throughout the beginning of the pandemic. The track sets the stage for one of the running themes throughout Civilisation II, discussing the isolation of the past year. The EP’s opener, “The Princess and the Clock,” is a Rapunzel-esque fairytale of a princess who is locked inside a tower for the rest of her days. Themes of mundaneness and repetition are contrasted by hope for a better tomorrow, along with upbeat compositions that one can both dance and cry to. The three-track EP takes place in the past, present and future tenses, using incredible imagery, retro-instrumentations and Sarah Bonito’s clear vocals to echo the pains and triumphs the human race has experienced throughout the COVID-19 pandemic. While the human experience hasn’t improved much since 2019, the experimental pop trio’s new release, Civilisation II, tells tales of a similar future, though this time with a bit more hope. Today, climate change, political unrest and expanding global conflict have mirrored the warnings KKB had in store for us just two years prior. After a year of quarantine, the impending doom of Kero Kero Bonito’s (KKB) apocalyptic 2019 EP, Civilisation I, seems closer than ever before. ![]()
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